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From the Past: CLASSICAL PERIOD: (600-150 BC)
from the AIFD Guide to Floral Design
The art and architecture of Greek and Roman antiquity, always a key element in Western designs, is characterized by symmetrical forms, the GOLDEN MEAN, and idealization of the human form. Plant materials were used to create wreaths and garlands to decorate both the human and architectural forms. See GREEK PERIOD, ROMAN PERIOD.
CLASSICAL REVIVAL: (1762-1830 AD)
Also called Neoclassic. Europeans and Americans were influenced by the discovery of the buried cities of Herculaneum and Pompeii. This gave rise to the rediscovery of rigorous SYMMETRY and STRAIGHT LINES of the Classical Period in architecture and furnishings (which replaced the curves found in Baroque and Rococo works). Flower containers were put on metal or marble mounts and placed on pedestals or columns. Each country gave its own name and interpretation to the Classical Revival:
- ENGLAND: Late Georgian (1759-1810), Regency(1811-1830)
- FRANCE: Louis XVI (1774-1792), Directoire (1795-1799), Empire (1804-1814)
- GERMANY: Biedermeier (1815-1848)
- RUSSIA: Catherine the Great (1762-1796)
- AMERICA: Federal (1789-1801 ), Early Republic (1801-1830)
Interpretive Design Applications: Arrangements are symmetrical and may include flowers in baskets and plant materials in basins, TRUMPET VASES, and boat-shaped bowls. Designs are characterized by grace of line and delicacy. For Empire settings, bouquets with pointed tips are distinctive. Blossoms may be floated on plates. Wreaths, garlands, overflowing CORNUCOPIAS, and fruit-filled EPERGNES also typify Classical Revival designs.
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